UB40 - Biography - Portrait, pictures, biography, VIDEO and more

UB40 - Biography - Portrait, pictures, biography, VIDEO and more

UB40 - Biography

UB40 are a British reggae/pop band formed in 1978 in Birmingham. The band has placed more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. One of the world's best-selling music artists, UB40 have sold over 70 million records.

Their hit singles include their debut "Food for Thought" and two U.S. Billboard Hot 100 number ones with "Red Red Wine" and "Can't Help Falling in Love". Both of these also topped the UK Singles Chart, as did the band's version of "I Got You Babe".
History
1978–1999
The band members began as friends who knew each other from various schools across Birmingham. The name "UB40" was selected in reference to the document issued to people claiming unemployment benefit from the UK government's Department of Health and Social Security (DHSS) at the time of the band's formation. The designation UB40 stood for Unemployment Benefit, Form 40.

Brian Travers saved up and bought his first saxophone whilst working as an electrical apprentice for NG Bailey, leaving after a few years to become a founding member of UB40 alongside Jimmy Brown, Earl Falconer and Ali Campbell.




Before some of them could play their instruments, Ali Campbell and Brian Travers travelled around Birmingham promoting the band, putting up UB40 posters.


Their sound was created and honed through many long jam sessions at various locations in Birmingham. Their first gig took place on 9 February 1979 at The Hare & Hounds Pub in Kings Heath, Birmingham for a friend's birthday party. {


was commemorated in October 2011 by the unveiling of a plaque at the venue, indicating the band receiving the Performing Rights Society's Music Heritage Award.

UB40 caught their first break when Chrissie Hynde saw them at a pub and gave them an opportunity as a support act to her band, The Pretenders. UB40's first single, "King"/"Food for Thought" was released on Graduate Records, a local independent label run by David Virr. It reached No. 4 on the


UK Singles Chart.

Their first album was titled Signing Off, as the band were signing off from, or ending, their claim for unemployment benefit. It was recorded in a bedsit in Birmingham and was produced by Bob Lamb. Norman Hassan said of the recording: "if you stripped my track down, you could hear the birds in the background." This is because his tracks were recorded outside in the garden. Signing Off was released on 29 August 1980, and entered the UK Albums Chart on 2 October 1980. It reached as high as No. 2 in the UK and spent 71 weeks in total on the chart. Signing Off is now a Platinum album. As UB40 grew in popularity, they encouraged and supported local musicians and bands from Birmingham such as, Beshara, by taking them on a tour.

After great success in the UK, UB40's popularity in the United States was established when they released Labour of Love, an album of cover songs, in 1983. The album reached No. 1 on the UK Albums Chart and No. 8 on the Billboard 200 in the US. The album featured the song "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version); it stayed on the charts for over a hundred weeks. Three years later UB40 performed at the Birmingham Heart Beat Charity Concert 1986.

1987 Ray "Pablo" Falconer, producer of UB40 music, died in a car crash. Earl Falconer, who was driving, was sentenced to six months' imprisonment in June 1988.

Their most successful worldwide single release is their reggae/pop version of "(I Can't Help) Falling In Love With You", which was the main title to the 1993 Sharon Stone movie Sliver and was a number one hit across Europe and in the US.
2000s
UB40 toured South Africa in July 2007 and headlined the Live Earth concert at the Cradle of Humankind, near Johannesburg. They performed one of the longest sets for the event at approximately 54 minutes.



2002, the Virgin Records compilation album Young Gifted & Black featured sleeve notes by Robin Campbell from UB40.

On 21 August 2007, they performed with Cas Haley on the America's Got Talent season finale.

On 24 January 2008 it was announced that Ali Campbell would be leaving the group after 30 years. It was originally stated that this was in order for Campbell to concentrate on solo projects, but Campbell later said he was leaving due to management and business disputes.[6] The remaining seven members released a statement saying: "Ali made a very simple decision, he chose to pursue and put his solo career over and above continuing to work with UB40 after February 2008, it’s as simple as that".

It was reported by some Birmingham newspapers on 13 March 2008, that Maxi Priest would be the new lead singer of UB40 and had recorded a cover of Bob Marley’s "I Shot the Sheriff" with the band, based on information from an unnamed "source close to the band." Priest had joined UB40 on their arena tour in 2007, culminating in sell-out shows at the NEC Birmingham in December.Another local newspaper reporting that Maxi Priest would be the new UB40 frontman, also included a statement from band spokesman Gerard Franklyn which contradicted this claim: "Maxi is collaborating with the band to record material but there is no decision been made to replace Ali Campbell with one definitive singer. The reports are half correct he will be appearing with them for this new recording." In April 2008, the BBC reported that Campbell was to be replaced in the band by his brother Duncan, with reggae singer Maxi Priest also bolstering the line-up on tour.

The band released their next album, TwentyFourSeven, UB40's last with the original lineup, by way of a free insert in The Mail on Sunday's 4 May 2008 issue. the newspaper sold nearly three million copies. This led to a backlash when the full 17 track version was released 21 June 2008, and most of the big retailers refused to stock it. It failed to reach the Top 75 in the UK, in fact it entered the chart at number 84 which was a first, as all their official albums had previously gone Top 50 on the UK Albums Chart. Their next release, on EMI, was a collection called Love Songs, which was a compilation of hits mainly from the Labour of Love series and all featuring Ali Campbell on vocals - it reached number 3 in the UK.


band played numerous outdoor shows in the UK in 2008. They also toured the US, which included their first show at the Hollywood Bowl. During the 2009 U.S. Tour UB40 offered fans live concert recordings on USB wristbands. The wristbands also included the Dub Sessions remix album and photos.

In 2009 the band released the first new album with their new lead singer Duncan Campbell – it was another in the Labour of Love cover series entitled Labour of Love 4. As the previous Labour of Love albums had been the most commercially successful albums for UB40.[citation needed]

On 12 June 2010, UB40 played a one-off concert to motor racing fans at the Le Mans 24 hour race. The playlist included Red Red Wine, Can't Help Falling in Love and Kingston Town. UB40 announced that after completing a coast to coast 2010 American tour they would be playing a nationwide UK tour of theatres in October/November 2010 performing their seminal album 'Signing Off', in full, along with a second set of popular UB40 songs. To coincide, on 1 Nov 2010 a remastered 2CD+DVD of 'Signing Off' is released as a '30th Anniversary Special Edition' The 30th Anniversary Special Edition Signing Off Album charted at number 194 in the UK charts.



2011 five founder members of the group and directors of their DEP International label, had bankruptcy proceedings started against them relating to debts of the record label. The five named were Robin Campbell, Brian Travers, Terence Wilson, Norman Hassan and James Brown. In October 2011 Travers, Wilson, Hassan and Brown were declared bankrupt.
Influences

UB40 were influenced by the many blues parties they attended as teenagers in the multicultural Balsall Heath area of Birmingham. Their love of ska, reggae and early lovers rock inspired such original tracks as "King", "Madam Medusa", "Food for Thought", "Signing Off" and "One in Ten".

Their early musical style was unique, with a heavy influence of analogue synthesisers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by Pablo Falconer.

The Campbell brothers are the sons of the folk musician, Ian Campbell.
Achievements

is one of the most commercially successful reggae acts of all time in terms of record sales (over 70 million), chart positions and touring schedule. During their three-decade long career, they have been performing sell-out shows worldwide and headlining the Reggae Sunsplash music festival in Jamaica, as well as spreading reggae to Russia, South America, etc. They have performed twice at the Night of the Proms, in 2000 and in 2006. In 2006 UB40 was nominated for a Grammy Award (Reggae category) for their album Who You Fighting For.

All three of their UK number one hits and four of their five U.S. top ten hits were cover versions.

UB40 collaborators include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Maxi Priest, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw, Afrika Bambaataa, 808 State.
Band members

The ethnic makeup of the band is diverse, with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. From the band's 1978 inception through early 2008, UB40's line-up was constant. In 2008 Ali Campbell left the band, followed shortly thereafter by Mickey Virtue, marking the first lineup change in the band's history. Founding members are listed in bold.

Source:wikipedia.


The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.


By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn s olos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.


the end of 1980, the contract with Graduate expired and UB40 formed their own record company, DEP International, with all eight members owning an equal share. They also signed a licensing deal with CBS, which ensured them far better distribution. "Signing Off" was still in the charts when they released their second album "Present Arms" in the summer of 1981. The sound was immediately brighter, harder and more professional, yet the spirit and commitment underpinning the band’s songs remained resolutely unchanged, as heard on "One In Ten," written about the UK’s record number of unemployed. With lyrics like "Nobody knows me, but I’m always there. A statistical reminder of a world that doesn’t care," "One In Ten" became an anthem of the British protest movement, and a genuine counterpart to the equally motivated songs being written by the likes of Bob Marley and Peter Tosh in the Caribbean. "One In Ten" will earn the rare distinction of being "versioned" by Jamaican reggae acts in future. Back in 1981, it formed part of the soundtrack accompanying the race riots erupting in places like Brixton, Handsworth and St. Paul’s in Bristol – hard pressed, inner city areas with large immigrant communities that had found themselves on the frontline in resisting the right wing policies of Margaret Thatcher’s government.

Four months later, and "Present Arms In Dub" became the first-ever dub album to enter the UK Top 40 – this during a period when dub music was the exclusive preserve of grassroots reggae fans, accustomed to buying Jamaican imports. UB40’s stature among British audiences was now assured. They possessed credibility, even whilst racking up hit records, and practiced true democracy by insisting that each member had an equal say in the band’s affairs.
Their next album, 1982's "UB44," was recorded in Dublin and featured innovative use of holograms on the ‘limited edition’ sleeve. Trips to Australia and Zimbabwe coincided with further hits in the shape of "I Won’t Close My Eyes," "Love Is All Alright," "So Here I Am" and "I Got Mine," but none breached the Top 20. "UB44" did get to No. 4 in the album charts, but then CBS ended their association with the band, leaving them to negotiate a new deal with Richard Branson’s Virgin Records.

afterwards, they opened a studio in Birmingham called The Abattoir. Now masters of their own destiny (and with legendary JA keyboard player Jackie Mittoo in tow), they decided to pay tribute to the reggae pioneers who’d first inspired them back in the blues parties and clubs of Birmingham, and from hanging out at places like Don Christie’s record store. The band became evangelists of a kind, introducing classic reggae songs and artists to new audiences from around the world as they embarked on three best-selling installments of "Labour Of Love."

The first was released in the summer of 1983, and contrary to past record labels’ expectations, the change of direction worked magnificently. Labour Of Love became the band’s first No. 1 album in the UK, and would remain in the British charts for eighteen months. Lead single "Red Red Wine" also went straight to No. 1. In fact it stayed in the British charts for two years, thereby giving UB40 their first truly worldwide hit and, eventually, their first American No.1.
UB40 were now recast as Britain’s foremost reggae ambassadors. They have arguably fostered a love of reggae music in more people than any other artist, including Bob Marley, and it started just as soon as they’d introduced timeless Jamaican classics to contemporary audiences on "Labour Of Love." "Please Don’t Make Me Cry," "Many Rivers To Cross" and "Cherry Oh Baby" were the other hits from that seminal first edition, which went on to sell more than ten million copies worldwide.



{/source}UB40’s next single, "If It Happens Again," went to No. 9 but the album it was taken from, "Geffery Morgan," wasn’t a success by previous standards, despite a return to hard-hitting, reality topics on tracks like "Riddle Me," "As Always You Were Wrong Again," "You’re Not An Army," "The Pillow" and "I’m Not Fooled So Easily." Recorded at The Abattoir, "Geffery Morgan" whilst not selling in the same numbers as "Labour Of Love" like "Baggariddim" – a collection of tracks recorded with leading British reggae MCs – awaits urgent, critical reappraisal. In the summer of 1985 UB40 joined forces with Chrissie Hynde for a cover of Sonny & Cher’s "I Got You Babe" that promptly flew to No. 1 in the UK. "Don’t Break My Heart" also went Top 3 shortly afterwards, confirming UB40 as Britain’s most successful reggae band. Before long, they were again breaking new ground by becoming one of the first western groups to tour the Soviet Union. Their watershed concert in Moscow was recorded and released the following year as "UB40 CCCP." It was UB40’s second live album – the first, "UB40 Live," had been released in February 1983.

In August 1986, "Rat In The Kitchen" became UB40’s sixth Top 10 album in the UK. The title track became the first hit off the album, whilst "Sing Our Own Song" had been written in support of black artists in South Africa – this during an era when South Africa was still an apartheid regime, and Nelson Mandela regarded as a terrorist by Britain’s Prime Minister, Margaret Thatcher.
The following November, "The Best Of UB40 - Volume One" began its two and a half year tenure on the UK charts, peaking at No. 3. The group were now a national institution, and yet still full of surprises. "Maybe Tomorrow," a Jackson Five cover, went Top 20, and previewed an unlikely collaboration with hip-hop pioneer Afrika Bambaataa and the Family called "Reckless." UB40’s next venture would prove a little more predictable. By early 1988 – still recovering from the death of engineer Ray Falconer, who was Earl’s brother, and had been highly influential in determining the band’s sound – UB40 again teamed up with Chrissie Hynde, who joined them on "Breakfast In Bed." The result was another Top 10 hit, taken from the 1988 album "UB40."

1988 the band was now embarking on lengthy world tours, taking in places like Australia, Japan and South America. In July the same year, they played the Free Nelson Mandela Concert at Wembley Stadium in London – an event that was beamed around the world to millions of television viewers, and prompted renewed appreciation of "Red Red Wine" in America. The song had already topped the charts in many other countries, but UB40’s first US No. 1 was certainly special, and especially since they received the good news whilst headlining at Madison Square Gardens in New York! Its success reignited interest in "Labour Of Love," which entered the Billboard’s Top 20, and led to a second helping of "Labour Of Love." This album – recorded between extensive touring commitments – would yield three Top 10 hits in America alone, including "Kingston Town" and "Homely Girl," both of which went Top 10 in the UK and throughout Europe, closely followed by "Here I Am (Come And Take Me)" and "The Way You Do The Things You Do."
At the onset of the nineties, Robert Palmer duetted with them on their next UK Top 10 hit, "I’ll Be Your Baby Tonight," and 808 State charted with a remix of "One In Ten." Highlights such as these, whilst welcome, were then dwarfed by the release of "Promises and Lies" which became the group's biggest selling album, selling in excess of nine million copies worldwide. The biggest hit from "Promises And Lies" was "Can't Help Falling In Love", which brought the band their third UK No. 1 and would remain a favourite on American radio stations for years – especially after its inclusion on the soundtrack of the 1993 Sharon Stone film "Sliver."


1994, the constant touring had taken its toll and the band was ready for a well-earned rest – this after playing to record crowds around the world, including South Africa, where they performed to over 250,000 people in total. Virgin would fill the gap by releasing "The Best Of UB40 – Volume Two," containing hits like "Kingston Town," "Here I Am" and more recent efforts such as "Bring Me Your Cup," "Reggae Music" and "Until My Dying Day." During their sabbatical from UB40, several of the members worked on their own musical projects. Robin and Ali made a guest appearance on Pato Banton’s No. 1 hit "Baby Come Back," whilst Earl would have success producing house and drum & bass tracks. Ali Campbell also released his debut solo album "Big Love," which he’d recorded in Jamaica. Their adventures in Jamaica will result in several, celebrated encounters with various reggae legends. The first, UB40’s "UB40 Present The Dancehall Album," featuring Jamaican acts like Beenie Man, Mad Cobra and Lady Saw, appeared in 1998, and "UB40 Present The Fathers Of Reggae" in 2002. Robin has described the latter as one of the highlights of their career, since it featured many of the artists who’d inspired UB40 (among them Toots Hibbert, John Holt, Alton Ellis and the Mighty Diamonds), singing the group’s own material. Were it needed, the "Fathers" set offered proof of the respect UB40 have always been accorded in Jamaica, and especially among the island’s artists and musicians.
The "Fathers" album had taken three years to record, and the follow-up UB40 set, "Guns In The Ghetto," would also take longer than expected to reach fruition. The group had reconvened in 1996, when they appeared in the film "Speed 2," starring Keanu Reaves and Sandra Bullock. UB40 perform "Tell Me Is It True" in the movie, which duly became the lead single (and a Top 20 hit) from "Guns In the Ghetto", released the following year. Ali described "Guns In The Ghetto" as sounding like "a reggae record, made in Jamaica proper." It peaked at No. 9 on the UK album charts, and yielded just one further single, "Always There." "Guns In The Ghetto" eventually sold over a million copies, but suffered from the band’s unwillingness to tour.


imperatives were soon realised with the release of "Labour Of Love III," which became the band’s twelfth Top 10 album in the UK during late 1998. "Come Back Darling," "Holly Holy" and "The Train Is Coming" were the hit singles from "Labour Of Love III." The following year they played before estimated television audiences of one billion in India, and then celebrated with yet another UK Top 10 album, the definitive "The Very Best Of UB40 1980-2000."
Other landmark shows would soon follow, including concerts in South Africa, and at a peace concert in the Sri Lankan capital of Colombo. One of them, in Switzerland, was later released as "Live In at Montreux." In 2003, they received an Ivor Novello Award for International Achievement and secured another Top 10 album with the "Platinum Collection", a triple box set comprised of the entire "Labour of Love" series. By now, UB40 had been favourites of the British public for well over two decades. It was therefore fitting they should provide the official anthem for the England rugby team's triumphant 2003 World Cup campaign in Australia. "Swing Low," taken from the "Homegrown" set, will become the group's 49th UK chart single. UB40 have now had 51 chart successes, the only bands to have notched up more hits are Status Quo and Queen, but for UB40 to achieve this distinction by playing reggae music is nothing short of miraculous.



years later, on the 25th anniversary of their recording debut, the band released "Who You Fighting For." Acclaimed not only as a return to form, but also an artistic triumph," Who You Fighting For" was distinguished by UB40’s decision to record once more as "a live" band – i.e., playing all together in the studio. Its success was aided by a clutch of powerful message songs that wouldn’t have sounded at all out of place on their first few albums. The questioning of authority (including Britain and America’s decision to invade Iraq) and steadfast allegiance to working-class values was there for all to see, and yet the Grammy nominated "Who You Fighting For" also contained its fair share of love songs, such as "One Woman Man," "Kiss And Say Goodbye" and a winning cover of Matumbi’s "After Tonight."
At the beginning of 2008, Ali Campbell decided to leave the band in order to pursue a solo career. With a minimum of fuss, he was replaced by another Campbell brother, Duncan, who has a voice that’s virtually indistinguishable from Ali’s. Duncan had been invited to join the band at their inception, but declined. However, some thirty years later alongside the other UB40 vocalists he has made his presence count on the latest album "TwentyFourSeven," which received widespread acclaim on its release during the summer of 2008. Following on from "Who You Fighting For," "TwentyFourSeven" was again recorded "live" in the studio, and thus showcases UB40 at their best. Not for the first time, the choice of material was dominated by the kind of searching, political messages they’d long been famous for. Songs like "Rainbow Nation," "End Of War," "Oh America" and "Securing The Peace" rank alongside their best-ever reality tracks, except with guest singer Maxi Priest taking over lead vocals on "Dance Until The Morning Light" and a cover of Bob Marley’s "I Shot The Sheriff," the mood is celebrationary as well. Freed of the need for hit singles (if not hit albums), UB40 sound rejuvenated, as if they’ve rediscovered the creative spark that inspired them in the first place. The results make essential listening, reaffirming their reputation as the world’s most successful reggae band as they continue to reach out to audiences that are impossible to categorise by race, age or nationality.



year UB40 have had yet another busy tour schedule including such places as, USA, Italy, Germany, Spain and Slovakia to name a few. In between this extensive touring schedule they have also been having a great time recording "Labour of Love IV," which they have now completed and it is due for release in February 2010. Along side this they have also made time to do a benefit gig at the Rainbow pub in Digbeth, Birmingham. The gig that took place on the 3rd of November was to help the Rainbow raise money to sound proof their roof as they had a noise abatement order slapped on them by Birmingham Council. Needless to say this was a resounding success and not only raised a lot of money for an extremely good cause, it gave around 500 fans an opportunity to see the band up close and personal for the first time in many years. UB40 are now currently in rehearsals for the much anticipated UK tour which begins in Killarney on the 19th of November.

Source: ub40 official site






























































































































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